Miss Dior Grand Palais

The announcements were up in the bus shelters, one of my best source of what's on in Paris.

 

An exposition of works by 15 women artists, an homage to Miss Dior perfume at the Grand Palais from 13 to 25 November. Don't ask me why just 12 days and such an elaborate exhibit. I hope they extend it.

Dior's gorgeous textures and patterns.

The source of much inspiration.

First day visitor combs her hair and arranges sunglasses on top of head in the mirrors. Look at the painting by Liang Yuanwei, silly!

 

Dior's sculpted gowns. He longed to be an architect.

 

Close up, the tiniest of flowers.

 

A mutual love affair between screen stars and celebrities and Dior.

 

Bows and ribbons.

Everywhere.

The exhibit is in the back, in the rotunda of the Grand Palais. The restaurant is there as well.

This massive bow by Joana Vasconcelos lorded it over the others.

 

The mirror placed behind helped spread its message.

 

Lights placed inside perfume bottles of J'adore. Meanwhile on the audio tape we hear Dior pronounce his great love for bows in any material.

 

So be it. A bow chair you can sit in, in A Room of One's Own by Nika Zupanc, honoring both Virginia Wolf and Dior.

 

The Dior pied-de-poule/hounds tooth pattern of the cage-like room is repeated on a tapis on the floor by Polly Apfelbaum.

 

Design sketches of the original perfume bottle.

 

The bow again worn aft.

 

And at the waist by Dovima with the elephants famously shot by Avedon.

 

I'm a big fan of illustrator Rene Gruau, perfectly suited to get out Dior's message of grace and elegance. Note the bow.

 

Rene Grau painting swans for Dior

Swanlike Natalie Portman is Dior's face of the brand. She stars in a film especially made by Shirin Neshat. 

Along with other artworks there is Dior's own private collection of Picassos, Dalis, Buffets on a landing up his signature filligree staircase. 

The Miss Dior exhibit is FREE.
Bon Chance!

Hats:An Anthology by Stephen Jones, Bard Graduate Center

My macaron-hat doodles.

 Last night I went to the fabulous 'Hats:An Anthology by Stephan Jones' exhibit at Bard Graduate Center.

 On 18 West 86th Street (they're open till 8 pm on Thursdays).

Three floors of magical hats brought over from the Victoria and Albert exhibition - we're lucky indeed.

A veritable pandora's hatbox of memories (whose mother did not wear hats?), history and celebrity lore (including the hat Carla wore to meet the Queen).

Photo by Justine Photography

A hat inspired by illustrator Rene Gruau I'm always raving about...

I bought Rene Gruau's J'Adore calendar in Paris last October thinking I was very clever and now I see it on Amazon.

We have hat designer Stephen Jones to thank for this fantasy trip.
Jone's atelier is replicated, including a can of his essential soda pop.
So many hats and only one head!

There's just something special about a woman in a hat. (Betmar Philosophy)

"Women wearing hats are at once sophisticated and whimsical....Their faces are younger and softer. They carry themselves differently, daintily, like deer. Their voices flutter a bit..."(from "O" Magazine).

The human head is a constantly moving and turning pedestal...with the hat a sculpture. (Eia Millinery design)

If you can't make it to New York (ends April 15) by all means get the book.

It's loads of fun with Bjork and Barbara Cartland side by side.

So many hats get their inspiration from uniforms...

I spotted this lacy cocktail hat one night in Paris passing Cherry Chau's shop. You can hear more on the exhibit here.

And Thank you Kerry in WA for reminding me.

Bon Week-End! ❤️🎩

Balenciaga & Spain

This has been a Balenciaga + Spain week.

I visited the Balenciaga exhibit at the Queen Sophia Spanish Institute at 684 Park Avenue on Tuesday (on through Feb 19 so don't miss it)

Three floors of exquisite examples of the maitre/master of couture.

Plus designer sketches and catwalk videos. Drawings by Rene Gruau.

Everywhere evidence of Balenciaga's Spanish background, as an altar boy at the Church of San Sabastien.

Plus influence of the great Spanish painters like Zuniga.

Picasso, Goya and of course Velasquez.
*Note the infanta's multi satin bows!

Bows are everywhere on Balenciaga's creations.

Bows both fore and aft.

The bow acts as a feminine touch to soften a simple, austere gown like this one covered in red carnations, the national flower of Spain.

Deep red gypsy roses show up on Balenciaga's amusing hats...

"Wit was on the head, where it should be."

Rose Champagne, original watercolor 9" x 11"

Inspired me to get out my paintbox.

The bull ring was a favorite inspiration though Balenciaga did not like to attend the slaughter. 'the suit of lights', the tiny hats, the rituals fascinated him, and French women were delighted to follow where ever he led them.

"A ruffle must be intelligent," he told his protege, Givenchy.

 Audrey benefited from Balenciaga's tutelage to her chosen designer.

The flavor of Joquin Sorolla's flamenco dancers is evident in richly embroidered mantilla dresses.

Last night at FIT, Vogue European editor, Hamish Bowles gave a lecture on the exhibit he helped curate and his new book on Balenciaga & Spain, coming out March '11

Seen side by side, the Spanish source of inspiration + the unique creations endlessly amazed.

Do go to the exhibit and immerse yourself in an elegant world long gone.

"Working sometimes on the cut of a sleeve, he would neglect all else and go without food or sleep for days and nights." said Gloria Guinness, couture client.

BRAVO BALENCIAGA!